b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.  Related Paintings of Albrecht Durer :. | Ecce Homo | St.Jerome in his Cell | Apollo and Diana | Six Goblets - Pen | Portrait of Frederick the Wise |
Related Artists:
Lucas de Heere
1534-1584,Painter, tapestry designer, draughtsman and poet. He was probably trained by his parents. The suggestion that he became a member of the Ghent Guild of St Luke before 1540 was derived from an incorrect interpretation of the Guild records for 1574-5. Van Mander recorded that, as a boy, de Heere accompanied his father on his trips to the stone-quarries of the Meuse region, where he made topographical drawings. Lucas was sent to Frans Floris's studio c. 1555 or shortly before to complete his training, and he may have collaborated with his master on tapestry cartoons and stained-glass designs, although no cartoons or preparatory drawings survive. During this period de Heere also became noted as a poet in the local rhetoricians' chambers. His father's influence helped him to gain commissions in Ghent from 1555, and, according to Marcus van Vaernewijck (1568), he worked on new stained-glass windows for the St Janskerk in Ghent in the same year.
Richard Dadd
1817-1886 was an English painter of the Victorian era, noted for his depictions of fairies and other supernatural subjects, Orientalist scenes, and enigmatic genre scenes, rendered with obsessively minuscule detail. Most of the works for which he is best known were created while he was incarcerated in a psychiatric hospital. Dadd was born at Chatham, Medway in Kent, England, the son of a chemist. His aptitude for drawing was evident at an early age, leading to his admission to the Royal Academy of Arts at the age of 20. With William Powell Frith, Augustus Egg, Henry O'Neil and others, he founded The Clique, of which he was generally considered the leading talent. In July 1842, Sir Thomas Phillips, the former mayor of Newport, chose Dadd to accompany him as his draftsman on an expedition through Europe to Greece, Turkey, Palestine and finally Egypt. In November of that year they spent a gruelling two weeks in Palestine, passing from Jerusalem to Jordan and returning across the Engaddi wilderness. Toward the end of December, while travelling up the Nile by boat, Dadd underwent a dramatic personality change, becoming delusional and increasingly violent, and believing himself to be under the influence of the Egyptian god Osiris. His condition was initially thought to be sunstroke. On his return in the spring of 1843, he was diagnosed to be of unsound mind and was taken by his family to recuperate in the countryside village of Cobham, Kent. In August of that year, having become convinced that his father was the Devil in disguise, Dadd killed him with a knife and fled for France. En route to Paris Dadd attempted to kill another tourist with a razor, but was overpowered and was arrested by the police. Dadd confessed to the killing of his father and was returned to England, where he was committed to the criminal department of Bethlem psychiatric hospital (also known as Bedlam). Here and subsequently at the newly created Broadmoor, Dadd was cared for (and encouraged to continue painting) by the likes of Drs William Wood and Sir W. Charles Hood, in an enlightened manner. Which condition he suffered from is unclear, but it is usually understood to be a form of paranoid schizophrenia.He appears to have been genetically predisposed to mental illness; two of his siblings were similarly afflicted, while a third had "a private attendant" for unknown reasons.In the hospital he was allowed to continue to paint and it was here that many of his masterpieces were created, including his most celebrated painting, The Fairy Feller's Master-Stroke, which he worked on between 1855 and 1864. Also dating from the 1850s are the thirty-three watercolour drawings titled Sketches to Illustrate the Passions, which include Grief or Sorrow, Love, and Jealousy, as well as Agony-Raving Madness and Murder. Like most of his works these are executed on a small scale and feature protagonists whose eyes are fixed in a peculiar, unfocused stare.
Maujdar Khan Hyderabad
c.1866 r.1884-1911